Leaving Berklee, Warren returned to Austin and was in demand as a sideman, playing with Bruce Robison and Kelly Willis, Alejandro Escovedo, Joe Ely, and joining The Waybacks, a band he would play with for the next ten years. Through all of this, Warren played with the South Austin Jug Band when he could, especially as a part of their Sunday night residency at Momo’s on W 6th St in Austin. When the residency ended for SAJB, Warren gathered a group of friends and took over Sunday nights under his own name, starting his first solo venture and releasing his first studio record, “Warren Hood”, an eclectic mix of both songs and legendary Austin players including Marcia Ball, Cindy Cashdollar, and Ephraim Owens.
The Momo’s Sunday residency lasted seven years and was a testing ground for Warren where he found his sound, learned how to lead a band, and gave the artists he shared the stage with space to shine – something he had plenty of experience with from the other point of view, having been a sideman for 10+ years. The way Warren ran Sunday nights had a lot in common with the residencies he grew up around in Austin – his father, Champ’s, ‘Singin for your Supper’ at Threadgill’s (Marcia Ball, Butch Hancock, Ruthie Foster, Sarah Elizabeth Campbell, Jimmie Dale Gilmore) and Toni Price’s ’Hippie Hour’ at The Continental Club.
The band Warren plays with now (Marshall Hood and Willie Pipkin on guitar, Nate Rowe on bass, and Jordan Cook on drums) is the current version of the band he started back in 2004 at Momo’s. This band plays every week at ABGB, drawing a mix of “old Austin” and newcomers, musicians and music lovers, and dancers who stay on the floor from the first to last song. The Warren Hood Band plays a mix of their own songs, classic country, and blues, with a nod towards their Texas roots with a few Uncle Walt’s
Band songs mixed in. Warren recorded “Warren Hood Band” in 2013, an album produced by Charlie Sexton and released by Red Parlor Records.
A multi-instrumentalist (violin, guitar, mandolin) and accomplished singer-songwriter, Warren is described in the press a lot of different ways: “virtuoso” ”seven time Austin Music Award winner – Best Strings” ”Texas fiddler” ”Chet Baker crooner” “bluegrass picker” – but for him it all kind of blends together into everything he does (and what he does doesn’t always have fiddle). Warren says slyly that “playing different styles of music is like speaking different languages – the difference between violin and fiddle is how you roll your Rs. The more languages you speak the more people you can talk to.”
Warren’s greatest influence is certainly his father, Champ Hood. Champ was a member of Uncle Walt’s Band, an acoustic folk trio from Spartanburg, South Carolina that also included Walter Hyatt and David Ball. They moved to Austin in 1975, prime time for the zeitgeist of the Austin heyday, playing at Waterloo and the Armadillo and building a cadre of lifelong fans. Their intricate harmonies and creative songwriting inspired their contemporaries, many of whom are today’s best loved and most respected songwriters and artists, and continue to touch those who discover their records today.
Warren spends as much time with his band as he does playing and recording alongside other artists: David Ball, The Bodeans, Hayes Carll, Joe Ely, Alejandro Escovedo, Robert Earl Keen, Ben Kweller, Little Feat, Lyle Lovett, Joan Osborne, Toni Price, Bob Schneider, South Austin Jug Band, Redd Volkaert, Jerry Jeff Walker The Waybacks, Bob Weir, Bruce Robison and Kelly Willis and more.
You can find Warren at his residencies on Tuesday at the Continental Club with Toni Price or on Wednesday at Austin Beer Garden and Brewery (ABGB). You can also check out his tour schedule at warrenhood.com